Discoverer 225 45R/18
Purchased from Les Schwab 2 years ago
I used them on my Toyota Camry for 2 winter seasons
Free-you pick up






Thanks community.
Located in Bayside Gardens.




If you are interested, please contact me by Email – VeldaRN@gmail.com
Thank You

Call or text Chris at 623.882.5568



We begin with a brief arrival time as writers gather on Zoom followed by a review of our writing guidelines (see below). Two writing prompts are offered and reviewed aloud. Writers then sign off from Zoom and write on their own for an hour.
When we return to Zoom, each writer reads her work aloud, usually twice (or she may choose to pass — always an option). The remaining two writers + the facilitator offer individual feedback and discuss the strengths of the work while the featured writer listens to the feedback. We then move, in turn, to the work of the remaining writers.
We share time, at the end, for each writer to talk about that day’s writing process — what is arising and feels new; how is this aligned, or not, with the writer’s life; what is arresting the writer’s attention and shaping the work most strongly?
Writers may use the offered prompts or follow their own outline if working on an ongoing project.
WA! Guidelines for Our Writing Practice:
To create a sacred, safe space for our writing process, we follow these guidelines in Writing Alive! Workshops:
1. We honor the writer by listening with full, undivided attention.
2. We write what we want to write, free to ignore the prompt and write what is most alive for us.
3. We share by reading our work aloud. Everyone has the option to pass.
4. We hold in confidence all that we share and hear in the workshop.
5. We offer respect and dignity to each other and to ourselves.
6. We listen to all writing as fiction. The writer may inform us if the work they are about to read is not fiction.
7. When we respond to the writing, we speak about “the writer,” “the narrator” and “the character(s),” rather than referring to the writer as “you.”
8. Since the writing in the workshop has just been written, we treat it tenderly. We respond with what we like, what stays with us, and what moves us in the writing.
9. When we offer feedback, we focus more on the writing, less on our personal experience or the private life of the writer.
10. When we read our work aloud, we refrain from adding introductions, explanations or apologies. We read and let the work speak for itself.
11. As our writing is discussed, we listen quietly, like a Buddha. In this way, we discover what others hear in our words.
This workshop is based on The Amherst Method for Writers and Artists. Dana is a certified facilitator of this approach. She offers her workshops for women of all ages, in all genres, at all levels of experience.
The shared community of Writing Alive! Writers includes approximately 35 writers in several states including Oregon, California, Idaho, Washington, Texas, Michigan, Vermont and New York. Writers work in their favorite genre — poetry, essay, short story, memoir, creative non-fiction, science fiction, speculative fiction, etc. Common responses to shared writing prompts, giving and receiving positive feedback for what is working well in first-draft writing, and a focus on the essence of one’s individual strengths result in lively, thoughtful, renewing experiences, week by week.
Details of this workshop:
Format: 6-Week Writing Alive! 3+1 Workshop
Day/Time: Thursdays, 3:00 – 6:00 pm Pacific
Dates: June 30 + July 7, July 14, 21, 28 + Aug 4
Tuition: $222
Facilitator: Dana Cunningham Anderson, MS
Payment may be mailed to Dana or sent via PayPal after available space is confirmed via email. Contact: artlight7@gmail.com
Dana is a retired psychotherapist, founder of ArtLight Media and Writing Alive! Workshops. She is an artist, writer, graphic designer, meditator and certified facilitator of The Amherst Method. Dana’s work, both written and visual, has been published locally in The North Coast Squid. She has facilitated 3-5 weekly Writing Alive! Workshops since 2015, in person at Tillamook Bay Community College, the Tillamook Public Library, The Wilson River School in Tillamook, The Center for Contemplative Arts (Manzanita) and at her home, The Bend at Moon Creek, in Blaine, Oregon. Since Covid began, her workshops have been hosted virtually on the Zoom platform.
Please contact Dana with any questions or to enquire about available space. Deadline to sign up for this workshop: Monday, June 20, 2022.


$1,500 for all. Must purchase everything.”



Merrick Backcountry Game Bird Recipe
3 – 10lb bags $20 each, (retail $40)
Sizzlers Bacon style dog treats
28oz bag. $5.00
Or, buy all 3 bags of kibble and get the treats for free.
Pick up in Rockaway Beach


Introduction to Monotypes & Monoprints
with Ben Rosenberg
June 17—19 | 10:00am-4:00pm
Tuition $240 | Materials fee $10
Hoffman Center | 594 Laneda Avenue | Manzanita
This workshop will require proof of vaccination
Join Ben Rosenberg as he introduces the principles and practices of creating monoprints and monotypes. Monotype is a distinctive print made by pressing paper against a painted or inked surface. When creating a monotype, it cannot be replicated again. It is a highly individual creation, much like painting, as it allows for spontaneity, “happy accidents,” and working along a plate surface to bring a wide range of marks that can be obtained through the creation of an image.
Topics include basic theory and use of color and composition in working with water-based, mixed media, and a variety of surfaces. This workshop will involve both conceptual approaches and direct observations using still life, the figure, abstract composition, and a variety of student investigative resources. You will explore various monotype styles, techniques, and media used with rollers, stencils, textured surfaces, brushes, and various inventive wiping tools to create unusual one-of-a-kind prints.







Fresh Eyes
Over the weekend two new candidates declared a run for office. That makes three new people getting involved in the election this year. I’m glad new people are running. I think it’s great when more not fewer people want to be involved in our democracy.
I’ve met all three and have read their statements. Two are retired educators and one is a retired dentist who had a large and successful practice. These are the kind of professions that, to do well, require good observational skills, and the ability to meet folks where they are without judgment.
I know this for sure because in a previous life, I taught preschool in a bunch of different settings from Head Start to a very fancy Montessori school in the West Hills of Portland. To be a good teacher you have to observe closely in order to solve problems and you can’t be thinking you know everything. You have to always carry with you an open mind.
One of the teachers I worked with early on had this quote by Shunryu Suzuki in her classroom. “In the beginner’s mind there are many possibilities, but in the expert’s mind there are few.”
We aren’t prepared for the growth we’ve experienced even though it’s been headed this way for at least a decade. There’s a laundry list of important City work that hasn’t been done over the years for reasons that aren’t clear to me. Add to that the rapid growth of new homes, which exacerbates our need to find solutions to longstanding problems. The to do list includes but is not limited to: updating the Comprehensive Plan and Ordinances, of which the Foredune Management Plan is a part; updating our technology and digitizing our records and documents so they’re accessible to the public; dealing with our storm water system; raising new forms of revenue; building work force housing; raising system development and other fees, and building our infrastructure like our roads to handle growth.
All the stuff on the to do list costs cash money and lots of time both things in short supply. We need fresh eyes and new ideas. We need to come to a middle ground where maybe none of us are super happy with a solution but none of us are super bummed.
From the City Manager’s Council Workshop discussion about community engagement, it sounds like in the coming months we’ll have the opportunity to do that. So let’s get out our thinking hats and I’ll see you at a town hall some time soon!
Kim Rosenberg. loretta.kim.rosenberg@gmail.com
Coaster Theatre Kidz Camp focuses on three common aspects of theatre arts: acting, singing and dancing. In addition to improving confidence and creativity, campers are exposed to teamwork, respect and unlimited imagination while creating a show and characters of their own.
This year’s theme is “Back to Broadway.” Each camper will develop a Broadway-bound character through song, dance, dance and dialogue during the week-long camp.
Camp will be from 11 a.m. to 3:30 p.m. Monday, Aug. 15 through Friday, Aug. 19. A community performance is planned Aug. 19 at 4:30 p.m. and 7:30 p.m. in the theatre.
The Coaster Theatre Kidz Camp is available to students ages 8 through 12 or grades 3 through 6. three through six. This year’s $200 tuition is covered by the city of Cannon Beach’s community services grant. Application forms for this summer’s camp are on the theatre’s website at coastertheatre.com/shows/2022summercamp.
At this time, all participants must be fully vaccinated against COVID-19 and provide proof of vaccination prior to the first day of camp. Face masks are optional but encouraged. Everyone must adhere to the Coaster Theatre’s COVID Safety & Mitigation plan.
Upcoming shows and events at the theatre:
Aaron Larget-Caplan in Concert, 7:30 p.m. Saturday, June 18.
Coaster Theatre’s 50th Birthday Party, Wednesday, June 29 from 2 to 5 p.m. in the theatre’s courtyard and 6 to 9 p.m. in the theatre
Agatha Christie’s Murder on the Orient Express, July 6 – Aug. 6

Excellent condition.
Fits both A and F-style
Rectangular shape
High density polystyrene hard foam interior
Black plush interior
Dura guard nylon exterior
Outside accessory pocket
High density foam padding
Great Thermal and impact protection
For photos go to Ebay and enter:
Featherlight hard core mandolin case for
A or F style models.
